Showing posts with label Adam Gaylord. Show all posts
Showing posts with label Adam Gaylord. Show all posts

Friday, September 18, 2015

SOTC: What it Took - Idea to Book

Welcome to the Blog Tour for Adam Gaylord's New Novel ~

Sol of the Coliseum

Follow Along to Read Reviews, an Excerpt, and Spotlights.

Survival is an act of defiance.


I've been waiting for the day that I could take part in announcing the release of Adam Gaylord's debut novel. That day has finally come! Read Adam's message regarding what it took to take Sol of the Coliseum from idea to book.

"What made you want to write a book?"

Authors hear this question a lot. I’m sure there are as many reasons to write books as there are books. I’d like to share mine.

Back in 2005 I happened to pick up an urban fantasy novel at the local used bookstore. I don’t know why I picked it. Maybe it was the cover or the blurb. Regardless, I bought it, read it, and let me tell you, it was awful. I really mean that. At several points in the book I almost stopped reading only to have sheer morbid curiosity push me on. I figured, it had to get better, right? I mean, bad books don’t get published. Right? Wrong. The only good thing I can say for this book is that it was consistent. Consistently bad. I finished, feeling cheated and angry, and said to myself, “Hell, I can write something better than this!”

So, over the course of the next four years I wrote a book. Coming up with an idea wasn’t hard. I’ve got a crazy imagination and always have. What I learned was that having an idea and translating it into a story are very different things. Sure, gladiators are cool and fight scenes are awesome but that’s not a story. Those are elements to a story. You need characters with depth and feeling and a world that people are interested in. Writing a book is hard. And time consuming. And really fun. I fell in love with writing. I gave my gladiator a home and something to fight for. I gave him friends and enemies and tough moral decisions. I learned that the only way to learn how to write is to write. I also learned humility and, while I still think that urban fantasy was awful, I found respect for anyone who finishes writing a book and manages to get it published.

Eventually I finished writing, edited the manuscript myself (no beta readers or anything), and tried to get an agent. Query letter after revised query letter I sent out. No luck. No interest. I despaired. I put it on a shelf and said, “Someday.”

A year or so latter I decided the story needed a huge revamp. No more Roman style coliseum. I would make the story about a gladiator planet with hundreds of alien races and other dimensions and crazy weapons. But then I sat down and read my story. And you know what? I liked it. I reconnected with the story and the characters. So I got serious about getting it published. I asked friends and family to read it and provide feedback. I made tough decisions and cut out portions and tightened the storyline. Then I started submitting again. That went on for a couple years and this time I had interest. Publishers and agents asked for partial and full manuscripts. But no takers.

Once again I despaired. Sol and his world would probably still be in a drawer if it weren’t for a friend who asked me every time I saw him, “How’s the book coming? Get it published yet?” That friend pushed me. Let that be a lesson to everyone: push your friends. They’ll thank you for it. So I kept submitting and what do you know? All at once three different publishers showed interest. A lot of negotiating and a fateful decision later and my book was due to be published with Mirror World Publishing. And now Sol of the Coliseum is finally a book I can hold in my hands (and you can hold in yours).

So that’s what it takes: persistence and help and a will to move forward. Which is what most good things take. And I hope you think SOTC is a good thing.


About Sol of the Coliseum:

Deep in the bowels of the Coliseum of the mighty Astrolian Empire, the orphan, Sol, is raised by a makeshift family of guards and fellow slaves to become the most famed Gladiator in all the land. Alongside K'nal, his giant Frorian fighting partner, Sol must battle cunning warriors and fantastic beasts to delight the crowd and stay alive. But when an oppressed populace transforms Sol into a revolutionary folk hero, the Empire sends its most ruthless assassin to put an end to the uprising. Sol’s only chance is to do what no slave has ever done: escape from the Coliseum and the only home he’s ever known.

Follow the Blog Tour:

http://saphsbookblog.blogspot.com/2015/09/tour-schedule-adam-gaylords-sol-of.html

Title: Sol of the Coliseum

Author Name:  Adam Gaylord

Genre(s): Epic Fantasy, Adventure

Tags: Fantasy, Adventure, Epic, Coliseum, Gladiator

Length: Approx. 259 pages

e-Book:  978-1-987976-10-6 

Paperback:  978-1-987976-09-0

Release Date: September 17, 2015

Publisher: Mirror World Publishing (http://www.mirrorworldpublishing.com/)


Read an excerpt from the novel:

A baby’s cry.

Grall was sure that was what he’d heard. In the depths of the Coliseum a person became accustomed to various cries of pain or despair. Prisoners, men broken physically or mentally, called out in the night. Spoils, the women given to victorious fighters to do with whatever they saw fit, cried out often. The beasts, crazed by captivity and seclusion, howled and cackled. Even Grall, though the proud young guard would never admit it, sometimes fought back tears that came in the dark. Over time, one could learn to block out the sound completely.

But the cry of a child, an infant, a sound that had no place in this world, could not be ignored.

Grall made his way slowly down the roughly-carved stone hall, unenthusiastic in his search for the sound’s origin. He knew what was expected of him when he found the child. His stomach clenched at the thought.

“I don’t need this,” he thought aloud, his voice barely a whisper. “I should be in bed.” In truth, only minutes before he had lain wide awake, willing dawn to come and give him a reason to abandon his tossing and turning. With the day came his duties; blessed menial tasks he could lose himself in, briefly forgetting his loss.

Grall had come to the Coliseum only a few months before. He had been a guard in the city of Astrolia, capital of the Astrolian Empire, until he refused to participate in a drill using live captives. His protests changed nothing. The captives had died regardless and he had yet again angered his captain, the man that controlled his fate. As punishment he had been transferred to the Coliseum, a post feared by guard and soldier alike. Far more than the danger and brutality, what inspired dread for the post was that for all intents and purposes the Coliseum was a closed system. Be you slave or guard, once you entered it you probably didn’t leave. He had begged his captain, promising him utter obedience. But for the Captain, Grall had made it personal. It mattered not at all that Grall’s young wife had just given birth to their first son. Neither did it matter that he would probably never see either of them again. Even if he managed to be one of the few to live long enough to see retirement, his son would be grown with children of his own.

He had been all for packing their meager belongings and making a run for it, but his wife’s cooler head had prevailed, as always. They lived in the middle of the Astrolian Empire, two week’s hard ride in any direction from free lands if they had a mount, which they didn’t. She was still weak and sore, not yet recovered from a difficult childbirth. Most importantly, they had a brand new baby. In the best of times the road was no place to raise a child, and they would be in hiding.

“No,” she had answered stoically through her tears, “you will go to the Coliseum. You will send us your pay. I will raise our son.”

He protested and argued to the point of exhaustion, vainly fighting the logic in her words. Eventually he conceded, packing his bag and leaving his family, barely started, standing at their doorstep.

He still grieved for the son he would never know.

And now there was this.

“I don’t need this,” he repeated to himself, stopping outside the door to the women’s barracks.

They had promised to take care of it.

He knew the mother. She was a slave in the luxury boxes. As sometimes happens, one of her wealthy male patrons had an eye for her and he raped her after she refused his advances. She’d hid the pregnancy well at first but eventually her condition became all too obvious. Grall had been sent to deal with it. The women of the barracks had assured him that though uncommon, such things were not unheard of. The baby would be disposed of in a quiet manner. He had relented.

An infant howling down the halls was not a quiet manner.

Grall took a deep breath and opened the door. His broad frame and barrel-chest filled the doorway while he let his eyes adjust to the dimly-lit barracks. Women were sitting awake in their bunks, eyeing him with considerable disdain. He made his way down the candlelit center aisle toward the source of the disturbance, avoiding the hostile glares and trying to keep his face passive. He didn’t want to be here any more than they wanted him here. The object of his quest lay wrapped in a blanket and was held by a rather large cook. He saw the mother lying in a bed off to the side, unmoving. The sheets were soaked with blood but it was her face that drew his gaze. She had obviously been beaten, badly.

“She panicked,” the cook said flatly to answer his unasked question. “She confronted the father. He did that and she gave the last of her strength giving birth to this boy. We’ve named him Sol.”

A heavy silence settled over the room; the baby was finally quiet, as if showing respect to his deceased mother. Grall’s gaze lingered on the dead slave, her many bruises contrasting with her pale skin and long blonde hair. In life she had been beautiful, a curse for a woman in the Coliseum. In the peace of death she still held her beauty, despite the violence she had encountered.

“And now you’re here,” the cook broke the silence accusingly.

“I’m sorry. Melina was well liked,” he said, attempting civility.

The cook nodded. “She never let this place get to her.”

He nodded, recognizing the compliment. There was a long pause.

“You can’t keep it,” he said plainly, surprised at the feeling he was able to keep out of his voice. Several hisses sounded behind him. The cook neither responded nor moved. She just sat holding the child.

“You know the rules as well as I.” He could feel the animosity radiating onto his back from the bunks.

“What life could he hope to have here?” he asked, almost pleading, bristling at the tone of his own voice. He was a guard of the Coliseum; he didn’t need to explain himself. Who were these women and this cook who sat unmoving? Had they taken care of things as they promised, he wouldn’t have to be down here at all.

He straightened up. “I’ll deal with it,” he said firmly. Moving the last few paces toward the cook, he felt the women stir behind him. The cook made to strike him and several cries of protest sounded as he reached for the baby. But something unexpected happened, something amazing. As Grall reached for the bundle, his hand was met by the child’s. Without fear and with a strong little grip, the baby grabbed one of Grall's fingers and held. He froze, as did the women.

Had it been any other guard, hard and embittered with years of service, nothing would have changed, but for Grall that tiny hand struck with the force of a blow. He shuddered visibly, staring wide-eyed at the child. All was still. Grall knew his duty, what was expected of him. The problem with duty was that it belonged in the Coliseum and he was no longer in the Coliseum. Looking at this tiny baby, feeling it holding his hand, the guard was home.

The little hand holding his finger melted Grall's resolve. The women saw it immediately and smiles passed around the bunks. Grall didn’t see them, he only saw the child. He sighed and then without a word he slowly straightened, turned, and walked back the way he had come.

From that moment on, Sol was a child of the Coliseum.

Purchase Links:

Amazon

Mirror World Publishing

Meet the Author:



Adam Gaylord lives with his beautiful wife, daughter, and less beautiful dog in Loveland, CO. When not at work as a biologist he’s usually hiking, drinking craft beer, drawing comics, writing short stories, or some combination thereof. He’s had stories published in Penumbra eMag, Dark Futures Magazine, Silver Blade Magazine, and Plasma Frequency Magazine, among others.

Tuesday, March 31, 2015

So there's this "Writing Tip Tuesdays" thing...

Back in my blog's early days I ran a weekly Sunday Surfing series that provided links to cyberplaces I found interesting. These were the days I found myself hopping aboard one meme train after another. Remember them? Kreativ Blogger Award, The Versatile Blogger, The Booker, but the one I liked most was The Lucky Seven.

Adam Gaylord
The Lucky Seven (7-7-7) required a writer to post the seven sentences that begin on the seventh line of page seven (or seventy-seven) of their WIP. I found interesting excerpts on many writers' blogs, but there was one excerpt that amazed me. It came from Sol of the Coliseum written by Adam Gaylord. (I linked it in a Sunday Surfing post almost three years ago, but it's worth linking again. You can find it here. And in October 2015, Mirror World Publishing is releasing the book from which that excerpt came, so be sure to congratulate him!)

Writing Tip TuesdaysAdam has recently begun a blog series of his own: Writing Tip Tuesdays. Each Tuesday, Adam--or a guest--provides a tip for us writers. He kicked off the series by inviting someone named David Powers King. (Does anyone out there know who this guy is? I hear he teamed up with Michael Jensen and wrote some book called Woven that's garnering all sorts of rave reviews. Might be worth checking out.)

For some reason, the super-talented Adam also asked yours truly to submit a tip for his series. Fully aware as I am that only the wise can dispense wisdom, I donned my Henry David Thoreau mask and shamelessly submitted a word of writerly advice anyway. So stop by Adams Gaylord Writes and read why I encourage you to Poke Your Head Up.

Thursday, November 29, 2012

Come Visit Me at Adam's!

I'm really not a nomad. I promise. Nevertheless, I'm blogging away from home again. Today, I'm at Adam Gaylord's blog. You've visited there, I hope, because this guy is a great blogger and an excellent writer. His site is called:


He's hosting my post that I titled, "I've Never Had a Story Rejected!" The title is obviously meant to catch your attention, but there's a message buried within its paragraphs that I believe with all my heart. 

I featured Adam on my blog during my "August is Awesome" series.  He came through with a marvelous post.  If you haven't read it, it's right here.  Spend some time at Adam's blog and get to know him if you haven't already.  His prose packs a punch!

Tuesday, August 21, 2012

August is Awesome Because of Adam Gaylord

There are times that I read something and simply stop and marvel at what I just read.  Adam made me do just that in a piece he wrote (which I linked to in a Sunday Surfing post a while back.)  In the space of a few short paragraphs he had transported me to another time and place.  

Adam is frequently linked by inkPageant for his thought-provoking articles on subjects that many writers often fail to consider.  Adam's contribution to this awesome August series is no different.

If you're a writer, you owe it to yourself to consider well his suggestions.  If you're a reader, you owe it to yourself to devour anything he's written.  My pleasure today is to introduce to you the awesomeness that is Adam Gaylord!


Animals Make a Story
By
Adam Gaylord

Animals make us Human.
- Temple Grandin

I want to start things off with a little story.

Around 1918 there was an accomplished leather engraver by the name of Harry Wailing living in New York. Harry had a good life. He had a successful business, a nice home, a wife, a couple kids, and a beloved hound-dog. By all accounts he was well liked and well respected. But there was trouble brewing at home for Harry; his wife had taken another lover. Over time this lover became so brazen that he would visit the lady of the house while Harry was at home. After one such occasion, the man strolled out of the lady's room and, on the way to the door, kicked Harry's beloved hound-dog. Harry calmly retrieved his pistol and shot the man in the face.

After that Harry fled New York and moved to Florida, settling on a little island on the Gulf Coast called Mariposa Key where he lived out the rest of his days selling trinkets to fishermen. Ninety-years later a friend and I spearheaded a project to restore the island to its natural habitat (which is how I came to know about this true story).

The thing I love about this tale of woe is what it took to finally push Harry over the edge. He kept his head when he found out his wife was cheating. He restrained himself when the interloper invaded his home. He even managed to contain his rage when these visits happened right under his nose.

But kick his dog and he’ll shoot you in the face.

Without this tidbit Harry’s story is kinda mundane. Turn on the local news in the evening and you’ll probably hear about a jealous husband who’s shot his wife’s lover. It happens all the time. The addition of the dog to this story does a couple things to set it apart.

1. It makes Harry relatable - Everyone loves their pet. I love my dog. I’ve never been in a fight but if someone kicked by dog, they had better do it on the run ‘cause if I can catch ‘em, I’m gonna kick their ass.

2. It defines the bad guy - David Powers King did a great blog post a while back about the "Kick the Dog" trope. Put simply, good guys don’t kick dogs. No matter what the backstory was (maybe Harry was a jerk to his wife), nothing excuses walking up to an old hound-dog and kicking him. That makes you the bad guy.

The thing is, this isn’t an animal story. This isn’t "Old Yeller", "Hidalgo", "Seabiscuit", or any of the other wonderful stories where the animal is a primary character. This is Harry’s story; the dog is a secondary character. If there wasn’t a dog there would still be a story, it just wouldn’t be as good.

And that’s my point: Animals make stories better.

Let me give you a couple other examples (super spoiler alert).

Have you seen the western "Open Range"? If not, as soon as you’re done leaving a comment about how awesome this post is you need to watch it. I love westerns and it’s my absolute favorite. For those of you that have seen it you know it’s a story about warring groups of cowboys (good guy free rangers vs. bad guy ranchers). It’s definitely not an animal movie but there are a couple very important animals in it. Kevin Costner’s character is a troubled man with a dark past...but he loves his dog. His connection to this animal gives his character humanity and lets the audience know that deep in that silent rugged exterior there’s a good man. And when the dog is killed by the bad guys, the audience knows that shit just got real. Conflict was coming anyway, no doubt about it. But with the dog dead you know there will be no prisoners.

One last example.

I KNOW all of you have seen the post-apocalyptic classic "Mad Max 2: The Road Warrior" (sequel to "Mad Max"). Freaking great movie. And I’m sure you’ll all agree that one of the best secondary characters in the whole film is the dog. He’s a badass. His interactions with the reluctant hero and pilot Gyro are hilarious. And when one of the bad guys shoots him with a crossbow...heartbreaking.

Both of these movies would still be great without their respective animals, just not as great. Animals make the audience care. They give characters humanity. They define good guys and bad guys. They provide comic relief and break hearts. Animals make stories better.

So does your story have an animal or two?


About Adam Gaylord:


Adam Gaylord is a graduate student studying wildlife at Oregon State University. He lives in Corvallis with his beautiful wife and slightly funny looking dog. When he’s not chasing elk and deer or buried in data, you can usually find him knee deep in one of his many writing projects.

Adam blogs at Adam's Daily Apple